My mind wanders so much at times
that when it finally deems it necessary to return,
as if just to say with some proof that it does,
in fact, reside there,
I am scarcely able to recognize it as my own...
...from out of the cold
my thoughts come shivering in,
taking off coats,
hats,
mittens
scarves,
shoes,
thermal underwear,
till naked they stand there,
completely unaware of my presence.
Am I the intruder?
Perhaps
I swallowed
some unfortunate twin brother
in my mother's womb,
gobbling up fingers,
toes,
hands,
feet,
arms,
legs,
but his mind was left somewhere
implanted behind recesses in my skull.
No, I did not eat all of him.
This, then, is my greatest fear,
to have been born a cannibal,
or at best, a body-snatcher,
because the only place
he is ever found
is somewhere far off
and secret.
Sunday, November 6, 2011
Saturday, November 5, 2011
The Formulas of Physics
Forget what the loveless and luckless
say about love and luck.
They haven't the vision.
Beauty is Lady Luck
leaning over a billiard table,
radiated for a fleeting moment
in the incandescent light
of a smoky country-western
bar and laundromat.
In the sublimity of unplanned games
we learn how to bounce and play,
and perhaps we scratch,
but one moment transitions
seamlessly into the next
with the ensuing encounters
of ricochet rendezvous
and colliding chance.
So forget again
what the corrupt
and disingenuous
say about innocence
and sincerity.
They haven't the heart.
Purity is Lady Luck
taking a wild shot
with a sly, knowing grin,
a feather dangling from her hair
and a mischevous twinkling
behind her eyes
as the formulas of physics
we do not understand
or premeditate
set beauty
and purity
in motion once again.
say about love and luck.
They haven't the vision.
Beauty is Lady Luck
leaning over a billiard table,
radiated for a fleeting moment
in the incandescent light
of a smoky country-western
bar and laundromat.
In the sublimity of unplanned games
we learn how to bounce and play,
and perhaps we scratch,
but one moment transitions
seamlessly into the next
with the ensuing encounters
of ricochet rendezvous
and colliding chance.
So forget again
what the corrupt
and disingenuous
say about innocence
and sincerity.
They haven't the heart.
Purity is Lady Luck
taking a wild shot
with a sly, knowing grin,
a feather dangling from her hair
and a mischevous twinkling
behind her eyes
as the formulas of physics
we do not understand
or premeditate
set beauty
and purity
in motion once again.
Rubber Snakes
I almost died that night,
cat screeching in sync
with skidding tires
while blown-out speakers
play my dirge in mp.3.
I almost wrapped around that tree--
mixing blood and iron
in that mud-grass
just past the underpass.
Cars passed,
dancing their headlights
in the refracted glass-rain,
like the tunnel-light
that never came.
But still the radio crackles,
singing,
"the good times are killing me"
and I have to agree,
you see,
I almost died that night.
Eyeballing that handfull of bliss
because happiness had thus far
come in pill form,
prescribed by the bartenders
with degrees,
who can't listen
to drunken sailors
with all these wind-up monkeys
clanging their clanking gongs,
playing over the quiet music of the ditch,
where life so tenderly takes its leave of us,
like so many coiled rubber snakes
in God's forgotten toy-box,
each one hissing,
"I almossssssssst
lived."
cat screeching in sync
with skidding tires
while blown-out speakers
play my dirge in mp.3.
I almost wrapped around that tree--
mixing blood and iron
in that mud-grass
just past the underpass.
Cars passed,
dancing their headlights
in the refracted glass-rain,
like the tunnel-light
that never came.
But still the radio crackles,
singing,
"the good times are killing me"
and I have to agree,
you see,
I almost died that night.
Eyeballing that handfull of bliss
because happiness had thus far
come in pill form,
prescribed by the bartenders
with degrees,
who can't listen
to drunken sailors
with all these wind-up monkeys
clanging their clanking gongs,
playing over the quiet music of the ditch,
where life so tenderly takes its leave of us,
like so many coiled rubber snakes
in God's forgotten toy-box,
each one hissing,
"I almossssssssst
lived."
Thursday, November 3, 2011
The Ballad of Senor Shucks Pigknuckles, Professional Consultant Extraordinaire
...and I still have a song in my throat
and a prayer between each hand,
but my teeth,
my teeth I keep dug in
real deep,
so that these days
my tongue seems shorter.
'Cause I've sung
too many unheard hymns
to really sing anymore,
and I've prayed to
too many faithless gods
to really pray anymore.
I think I was a child
when I lost faith in myself,
a youth when God left,
but yesterday,
yesterday humanity was lost.
Yesterday is the blood in my eye,
the tear on my sleeve
so I'll wipe
the blood off your face
but me,
me I swallow mine
and dig in deeper.
and a prayer between each hand,
but my teeth,
my teeth I keep dug in
real deep,
so that these days
my tongue seems shorter.
'Cause I've sung
too many unheard hymns
to really sing anymore,
and I've prayed to
too many faithless gods
to really pray anymore.
I think I was a child
when I lost faith in myself,
a youth when God left,
but yesterday,
yesterday humanity was lost.
Yesterday is the blood in my eye,
the tear on my sleeve
so I'll wipe
the blood off your face
but me,
me I swallow mine
and dig in deeper.
Motion and Rest
The water is always stillest at night,
where there are no tugboats pulling,
no swill-bearded captains swearing,
no heart-cold calculators calculating,
telling it to hurry up and get along.
It likes to twist and turn as it will,
peeking in on the little thinking ants
who like to pull, swear, and count--
it admires the beauty of steel anthills.
They like to build things bigger, better,
and this makes the languid liquid laugh;
the ants, they want to want to be full,
they build only so that they can destroy.
The softly singing black velvet-water
catches the giddy glimmering starlight
of smoky black-lunged chemical plants,
reflecting it back in its forgiving mirror.
Rivers stare back wearing the ants' faces,
glossing over their precious imperfections,
mercifully accepting even the unmerciful,
for they always judge themselves worst.
It would cry if it weren't made of tears;
it still remembers a beautiful Grecian ant
who knew the secret of staring at water,
that the way of ascent was in the descent.
They can't see the god in the murky mask
staring at the god looking from without,
they've grown deaf to the still-water song
and no longer dance to the river's tune
of always going to where you already are.
Wonderland
Roughneck, beetnick
big dick and his bitch
all caged in a line--
just one in a big number
we call
the honey hustle and dime...
bags of dreams
cut down in their prime
for lack of the fire
to burn them.
Jimminy Crickett, man,
he's on our shoulders and singin'
sweet tunes of freedom
while Pinnochio's lookin' sad,
staring at his cut strings
trying to do the robot
and feeling heavy for the first time.
Cause Mickey Mouse
been danglin' that carrot
in our faces so long we forgot
it's just one end
of the same stick,
and he's been sayin'
"GET IT BOY, GET IT!
GET IT GET IT GET IT
GET IT BOY!
(Oh, you got a nibble,
but look how much is left!)
GET IT BOY GET IT BOY
GET IT GET IT GET IT
NOW FETCH, BITCH!"
(Oh, don't wish upon a star
if it isn't yours).
But for that dream of liberty
of having that power
to live impotently,
that cricket'd lie,
he'd kill,
he'd fuck your wife
just to keep ya dreamin.
Dreamin of truth,
dreamin of peace
dreamin of love
and dreamin dreamin dreamin
dreamin of hoping to hope to hope
for a better hope than the hope
you've been giiiiven...
'cause we all just want a bigger,
juicier slice of the pie
god in his checkered apron
left on earth's windowsill
for us to smell but never
no
never taste.
But for a penny he'd cut you,
and for a quarter he'd quarter you,
and for the cost of shipping
send you to the four poles
where you'd be drawn,
yeah,
drawn.
Drawn in cartoonish lines till the ink....bled.....
....out.
Mornings in Mephadrome
You say,
"baby, it ain't never been like this"
and you gave another shake
and a moan
and turned in bed,
away from me,
but I could still see you shaking it out,
shaking off
all those enlightening
conversations
and all those exciting
plans
and all those heartfelt
confessions
sneezed from the
dusty deviated septums
of all the best friends
and ex-lovers
we will never remember.
And they all feel like I feel,
gray and abstracted
like some cheap chemical factory,
festering and creeping
like the mold in my bathroom wall,
wet and overfull,
like the sagging ceiling tiles,
cold and useless
like...
well, like me,
before I shake again.
To Alex
Some days pass so fast
you wonder where they're going,
and some days pass so slow
you wonder where they've already been.
Stuck in the friction
of sand between
you and me,
with a flick of the wrist
and a twist of gravity
we all fall through,
slipping between holes
in the fingers of days.
And nothing stays in place,
and everything shakes
top to bottom
topsy-turvey
inverted
and retrofitted
to suit the moment.
And the moment says
that lies are an imagination
of the truth,
so nothing is worth achieving
if it isn't for you.
No, nothing is worth achieving,
nothing,
no, nothing at all.
Deny the Shepherd
Deny the shepherd
and head for goat hills,
hills that echo when you bleat
your troubles into them.
An echo is the only sound reply
for unsound minds;
minds that want to climb every hill
and live among thorns,
minds that care not
for green pastures or still waters,
minds with eyes that see snares
in every mossy meadow and tamed brook.
'Cause a billygoat knows, what a billygoat knows...
for where there is comfort, there are sheep,
and where there are sheep,
there are wolves,
not the least of these that guide
these comfort creatures to undisturbed places
so they can be counted,
inventoried and ear-marked,
branded and sheared.
And those that are on his left, get burned...
And those that are on his right, get burned...
a terrible economy of souls.
'Cause ain't a sheep alive knows he's herd,
but will one day see that the place
his Father left to make for him
was a dinner plate.
Deny the shepherd,
deny the wolf.
Bleat to your heart's content
and eat your fill of weeds,
'cause it's so cold up here,
it's so cold you can see
the slaughterhouse smoke drifting ceremoniously,
like the sacrifices of so many centuries
drifting right up to the shepherd's mouth,
a mouth that never closes,
each morsel baa-baa-baa-ing out
the endless litany of the still-born-again dead,
praying,
"father, father,
why have you forsaken us?"
but the mouth swallows that too,
and there is no echo.
Deny the shepherd,
deny the wolf.
The Bonfire Chorus
I was born
with a mouthful of ash
from all the books
we had not yet burned;
drifted southward
off northern steppes
with the sulphiric tase of sin,
and shame,
and a hopeless hope
landing snowflake
on fiery tongues
shouting hallelujahs;
"hosanah,
"the son has come."
When my father
took the clot of blood
from my hand,
he gave me a shovel and a torch
and joined the bonfire chorus
to sing blasphemous refrains:
"Follow us down
"to the swinging trees,
"and we can show you
"where the saviors be.
"And mark where
"the tapping crow flies,
"and he can show you
"where your brother lies."
So now it is time again,
and again time has come again,
the time to burn and bury--
The Mongols will ride again!
The Mongols will ride again!
and burn all the words again,
and bury the broken images again.
And the dust
shaken from history's march
will land snowflake
on parched lips,
cracking with their smiles
and singing,
"hallelujah,
"hallelujah,
"let's do it all again".
Hotbox Theology
Do not be dissapointed
when you encounter God
cruisin' past in his black caddy
with his bass so loud
it shakes the lightposts,
and he slows down just long enough
to roll down smoky windows
and laugh
with a hot piece of ass
on either arm,
all laughing and coughing
while the speakers vibrate
with that original commandment
to be fruitfult and multiply
translated into
the modern vernacular:
"Fuck Bitches, Get Money."
And he laughs,
takes a hit,
and tells you
not to quote him on that
before driving away
to leave you feeling poor,
light-headed,
and nauseously leaning
on some flickering lightpost.
The Shoulders
I don't know how I spent them,
those days away,
nor the amount gained
these nights out.
Afternoons
and evenings
jingled in my pockets
like loose change,
too many variables
to name
with some little letter
like i
or u
or y.
I sag to an i or y,
cutting new notches
in my belt line
each morning,
contemplating
my skeletal waist
shrinking
like the difference
between i and y,
the product of u and i
divided by y,
checked then rechecked
on the broken abacus
I keep in my mind.
Somewhere, a bead fell.
There's a rattling
that crawls
under the polished
floorboards of each
swift
or steady
answer,
rolling
from
ear
to
ear
till the groove is set,
and there is not room
for second chances
or first mistakes.
For months,
I haven't moved
an inch,
fearing vertigo
in a yes or no.
When the answer came,
I felt shame for my tears
and shame that I didn't have more.
But somewhere a straw broke.
Where I went
or where I go
I just don't know,
but some nights
my reflection
comes staggering home,
unrecognized,
but always in time
for our ritual staring contest
where I try to tell
what he's thinking
from the corners
of my eyelids
but sometimes,
sometimes I swear
he sneaks a peek back
and wonders the same.
And I don't know how
to calculate
the distance
between him and I,
but I've seen him dance
on the edge
of every precipice
and I felt the nausea
of a final step
towards yes and no.
Somewhere, a foot slips.
Look, no one cuts their wrists
just trying to end it all.
The ones that actually do
spent too many nights
bent on calloused knees,
pleading the unturned doorhandle,
practicing what they'd say
with razor blades.
No, they went all in
on a bet
that somewhere,
someone
would walk in on them doing it,
and for those few moments
when everyone cares
the shoulders would come
to tell them,
"it's alright to cry."
those days away,
nor the amount gained
these nights out.
Afternoons
and evenings
jingled in my pockets
like loose change,
too many variables
to name
with some little letter
like i
or u
or y.
I sag to an i or y,
cutting new notches
in my belt line
each morning,
contemplating
my skeletal waist
shrinking
like the difference
between i and y,
the product of u and i
divided by y,
checked then rechecked
on the broken abacus
I keep in my mind.
Somewhere, a bead fell.
There's a rattling
that crawls
under the polished
floorboards of each
swift
or steady
answer,
rolling
from
ear
to
ear
till the groove is set,
and there is not room
for second chances
or first mistakes.
For months,
I haven't moved
an inch,
fearing vertigo
in a yes or no.
When the answer came,
I felt shame for my tears
and shame that I didn't have more.
But somewhere a straw broke.
Where I went
or where I go
I just don't know,
but some nights
my reflection
comes staggering home,
unrecognized,
but always in time
for our ritual staring contest
where I try to tell
what he's thinking
from the corners
of my eyelids
but sometimes,
sometimes I swear
he sneaks a peek back
and wonders the same.
And I don't know how
to calculate
the distance
between him and I,
but I've seen him dance
on the edge
of every precipice
and I felt the nausea
of a final step
towards yes and no.
Somewhere, a foot slips.
Look, no one cuts their wrists
just trying to end it all.
The ones that actually do
spent too many nights
bent on calloused knees,
pleading the unturned doorhandle,
practicing what they'd say
with razor blades.
No, they went all in
on a bet
that somewhere,
someone
would walk in on them doing it,
and for those few moments
when everyone cares
the shoulders would come
to tell them,
"it's alright to cry."
Pursuant of All the Conversations in Which I Could Not Speak
You can't get a word
in edge-wise
when speaking
to the fork-tongued.
You can't wait
for a pause
when listening
to the breathless.
Conversations
deconstructing
themselves
like kamikaze
syllables
crashing
in empty oceans
or extremist phrases
detonating
in vacant lots,
so this one's for the cause:
the coinage
of language
is facing
an inflation
crisis.
Soon we'll be writing books
to say hello,
and sequels
to say goodbye.
in edge-wise
when speaking
to the fork-tongued.
You can't wait
for a pause
when listening
to the breathless.
Conversations
deconstructing
themselves
like kamikaze
syllables
crashing
in empty oceans
or extremist phrases
detonating
in vacant lots,
so this one's for the cause:
the coinage
of language
is facing
an inflation
crisis.
Soon we'll be writing books
to say hello,
and sequels
to say goodbye.
Wishing Blue Like the River (Till the Moon Howls Back)
For Thaddeus
The dirt that lingers
beneath the polish
that shines,
the teeth that grind
beneath the smiles
that hide
is the blood that slips
and creeps
beneath blushing masquerades--
like wishes made
over that twice-crossed river
where you told me
and told me again,
"bite your tongue,
hold your breath,
and never whisper
those silent, breathless prayers."
So I'll tell it to you now.
The first was for you.
I said it till blue,
howling a distant moon
bloodied and empty,
pleading a contested throne,
vacant and powerless.
But it was not
the drooping mask
with the weight
of your heavy silence
that so unnerved me.
It was the laugh,
and grin
when you so dutifully
stepped back into character.
So I'll tell it to you now.
The second was only
to never wish again.
The dirt that lingers
beneath the polish
that shines,
the teeth that grind
beneath the smiles
that hide
is the blood that slips
and creeps
beneath blushing masquerades--
like wishes made
over that twice-crossed river
where you told me
and told me again,
"bite your tongue,
hold your breath,
and never whisper
those silent, breathless prayers."
So I'll tell it to you now.
The first was for you.
I said it till blue,
howling a distant moon
bloodied and empty,
pleading a contested throne,
vacant and powerless.
But it was not
the drooping mask
with the weight
of your heavy silence
that so unnerved me.
It was the laugh,
and grin
when you so dutifully
stepped back into character.
So I'll tell it to you now.
The second was only
to never wish again.
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